Only Lyrically

Hells and Chris Cornell

January 7, 2010
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When I still worked for the government, for the longest time, the only real highlight of my day was playing some music before I march off to the courthouse, wrestling my way through the morning slaves rush and racing to beat the demon bundy clock. I was way younger then, and angry about the fact that, in a way (and as a family member once shamefully pointed out) I was prostituting myself. It actually did feel like I was selling myself cheap, and so my every day felt like hell.

Everyday, I felt like leaving a hell for another hell.

It would be no surprise then if you’d hear me playing Rusty Cage loud enough to be heard in the bathroom, and possibly in the bathroom of neighbors too, every blessed day. Nobody ever complained, surprisingly. You’d think everybody else felt hellish every morning and that just maybe, they found comfort in hearing Chris Cornell echo their pent up lamentations. I found great comfort in hearing Chris Cornell growl out my lamentations.

One day – very early in November, about five or six years ago, I am absolutely sure it was a November because I could remember my dread of the traffic brought by the opening of the second semester of classes that day – a Chris Cornell song saw me not only through one of my hellish mornings but through real, life-threatening danger.

As usual, I was about to be late again for work. It was much harder getting up from bed around those times already because it was getting colder and colder. It felt much better to just stay in bed and lie in a fetal position, hiding beneath the sheets. I guess it was around that time when I first adopted the expression “gisingin n’yo na lang ako ‘pag pasko na!”

And as usual, my mother was yelling her staple “mag-resign ka na lang kung ayaw mo nang pumasok” morning mantra. She found me the job, it was understandable if she resented my growing disinterest on it. The thing is, that mantra never worked. Everytime I heard it, my bones all the more did not feel like budging.

I had to again drag myself through the routine: rise, turn on music, brush teeth, bath, wear uniform, drink warm water, turn off music, go. But that day, as I was about to turn off the radio (fixed on NU 107 most of the time), I heard the strains of a classical tune.

I instantly recognized it: Schubert’s Ave Maria. I turned up the volume, thinking, “why is this station playing a classical piece?”

Then, I heard Chris Cornell’s voice. “Chris Cornell is singing Ave Maria!” I exclaimed. Of course my mother did not care, all she wanted was that I beat the bundy clock, she had to exclaim back at me, “late ka na!”

But I couldn’t move. I crouched in front of that aged speaker. I was transfixed. I wanted to cry. I did not want the song to end. I did not feel like going anywhere. I just wanted to keep listening.

Of course the song had to end. And of course I knew I was already late. I did not care. I walked on still hearing the song in my head.

I took the endmost seat in the jeep that I rode, and slouched. I held my head, I wanted to sleep. I saw that I even did not care to fully button up the blouse of my uniform – anyway, I had an inner shirt – I looked like I just got up from bed, real pathetic, I thought.

I also noticed a young man, even smaller than me and also looking like he just got up from bed, insisting to ride our jeep despite it being fully packed already. I remember saying to myself upon seeing him, something like “mukhang holdaper ‘tong lokong ‘to”.

He was.

He rode the jeep as it stopped in front of U.S.T. He shoved his ass right in the very little space there still was between me and the passenger next to me. As we neared Isetann Recto, and as he pulled out from his back pocket what was probably the longest fan knife I ever saw in my life, he announced the hold-up.

“O, ‘wag na kayong papalag,” he said, or something like that, probably to address the men also in our jeep. I remember we had a lot of them during the ride, all dressed in office garb too. They all did as that little, pathetic looking guy said. Not one man moved.

Even before I saw the knife in all its unfurled, deadly glory, I was already shaking as I saw him reach for his back pocket. I was expecting him to point it to me, after all I was just next to him, and he got me cornered against the end railings. Instead, he pointed the knife to the two teen-aged looking girls who also rode in U.S.T. The girls were holding their cellphones out in the open. Apparently, the guy followed them. They handed their phones without resistance, then the guy ran off.

Here’s the part where I’d assert that it didn’t matter that I looked like a slouched, pathetic loser who had nothing anyway, and that it didn’t matter that those teeners foolishly held their fancy phones in the open – I believed I was spared from danger because I heard Chris Cornell sing Ave Maria, giving the song due respect as I refused to go until it was finished. I was blessed through the song, I thought.

Maybe. Yes, it was just a song. Maybe I would’ve not gotten to share the ride with the hold-upper in the first place had I just gone quickly through the god-forsaken routines and left the song. I really don’t know.

It felt as if my knees wanted to give way as I alighted from the jeep and walked all the way past the giant Manila City Hall clock, all the way to the bundy clock awaiting me. I was still in one piece alright, and the entire piece trembled. In disbelief. In awe.

Things are much better now. There still are hells, seasonal ones, for which I still need the necessary re-assurance. Lately, over the holidays, I saw Great Expectations again after a very long while, and was directed to a song I have forgotten all these years – Sunshower. It’s no hell song, though. That one deserves a new, clean sheet.

.


tara!

January 6, 2010
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This was forwarded to me by a friend.

Should the forces allow, and should I be able to come up with six in time, I would like to go.

You should go, too, you know.

I wonder if there are nice beaches in Bacolod. :D

.


hello echo!

January 3, 2010
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I once read of the web being referred to as an “echo chamber” in one online article. I thought perhaps it was called so because maybe, just maybe, one sometimes gets the feeling of conversing with echoes when communicating through the web – you either feel that you are in touch with friends or strangers only in a surreal plane, or that you’re the only one talking to yourself, to your own echo.

I don’t know if other online writers ever get that feeling, but I know I do, sometimes, and I particularly feel more of the latter feeling , the talking-to-your-own-echo feeling, especially since I harldy ever get anyone to comment on my own posts, and I seldom get any traffic at all.

Which sometimes brings me to asking, “What’s the point?”. If it’s all just me and my own echo, then what else am I doing this blogging thing for?

Actually, several years ago, had I been asked about my opinion of the web and blogging, I would have probably given the usual web skeptic’s response. In the first place, I didn’t even know how to surf the web until 2002, when I entered graduate writing school, and one of the professors had been kind enough to sit with me in the library’s cybernook, told me to type w-w-w-dot-google-dot-com inside the big long white bar, then press enter. But blogging, as soon as I tried it, have actually benefitted me. And I have not yet even been making money from it. What more if I grow diligent enough to explore that possibility?

Blogging is a tool, and this I often hear from friends who have been blogging for years, and have urged me to blog too. Around the time it was first suggested to me by a friend, writer Althea Ricardo, I was already contemplating about leaving my ten-year government job (which had me tied to a typewriter and consequently kept me away from nearly everything that had anything to do with high-tech and the net) for a professional writing career.

I knew that I would encounter problems since my only published works during that period were but a handful of poems. They did come out in nationally circulated publications, alright, but they were poems – and I was not applying for a job as a poet (well, I have not encountered any company looking for one – please inform me if you do). Ricardo then said that I should put out a blog which could feature the kinds of writing that I could do or would like to do professionally., so that the magazines and websites I have been applying to would have a ready reference to check for my work. Besides, no website would hire a dweeb who doesn’t even know what in God’s name blogging is, or how it works.

I followed the advice. I included this blog’s address in all the resumes I sent out, and true enough, I got callbacks and eventually got the writing job I wanted, with others at the side.

It doesn’t end there. It has been quite my frustration to become a rock journalist. I hold fast to the belief that the two best writing jobs in the world are those of rock/music journalists and travel writers – basically because I believe music and travelling support poets the best. During my one year so far of living off from my writing, I have had only one chance of writing a rock album review for which I got paid. The blog therefore sometimes serve as my outlet for music reviewing. Actually that was the original intention of this blog, to indulge my desire for music writing. Lately, though, the entries have been more into the personal – delving on personal trips or side stories from official travel assignments – stuff that would not be suitable material for the actual articles commissioned.

In the future, I hope to be able to use this blog to help promote personal, major works – God willing.

There really are benefits after all, eh?

So, at this point, I actually can’t remember what I have been earlier asking “What’s the point?” for…

Ah! The hardly-any-traffic thing…

What’s the point if no one’s listening?

I would have to wax cinematic, but basic, here. Some professor in some beloved movie two decades ago said something about poetry, which I feel applies into answering the question –

“We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, “O me! O life!… of the questions of these recurring; of the endless trains of the faithless… of cities filled with the foolish; what good amid these, O me, O life?” Answer: that you are here; that life exists, and identity; that the powerful play goes on and you may contribute a verse; that the powerful play goes on and you may contribute a verse. What will your verse be?” — Dead Poets Society.

I wrote this entry alone, longhand, in my solitude – afterall, writing is a solitary act. But what has been written would be useless if not surrendered.

Must I wait to have gigs in a rock/music mag before I should write about music that sees me through every day? Or movies that I grew up loving? Or books that are ever humbling? Or my little journeys, to places, or within?

Must I be assured first that I would be heard before I’d be willing to share? To offer? To give?

This is post number two for Project 52. May I have the stamina to continue sharing in the project, as well as the writers Trish Morente , and Don Manganar (from whom I learned of the project). I hope I could get other friends to be blogging under the project, too.

And hopefully, the project could open other doors for me. As blogging is a tool, it would sure be nice to reap more as I wield it.

Pulp? Rolling Stone?

National Geographic?

Just asking. :)

And yep, only blogging could have room for the smiley.

.


vignettes

January 1, 2010
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Diwata

I have a classmate whom the class fondly calls Diwata. On the eve of the last Christmas of the millennium’s first decade, I rode with her, heading far up north. A half-moon, shaped like a boat, was rigged up in the sky.  During one point in the long ride, I pointed it out to her – Diwata, we are going to the sea, and the moon is a boat! A little more moon talk followed, especially as the decade was about to end with a blue moon, and a partial eclipse, even. Diwata is a moon-watcher too. It felt real good that I had someone I could wax moon-geek with, even if for just a few days.

Diwata earned the nickname Diwata because of her mystique. When in her company, one would hardly catch her leading the conversation, or speaking. When she does speak, though, be prepared to hear something you will probably remember for a long time. Poetry to Diwata is a reflex, she does it naturally, like breathing. Most of the time, though, when she is out with our school group, she simply listens to her fellow writer-classmates expound, digress, question, argue. Actually, I often get the feeling that one will all the more only tend to lose Diwata once the conversation verges into argument. She always struck me as one who dislikes tension and conflict. Diwata is zen made flesh.

She is also clearly the prettiest in class. And fittingly, she wrote the sexiest poems. My personal favorite is that one that describes a pair of thighs “larded with love”. I could imagine the subject of her work glistening with desire.

Diwata is also a recluse. She hardly answers text messages, and when I finally asked her about this, she said that she only replies under life or death circumstances. She hardly shows up for impromptu gatherings too. And so to get Diwata to respond to one’s online post or text message or invitation has often roused awe from her reply’s lucky recipient.

Imagine my awe when she allowed me to join her and her friends in a trip to Pagudpud. Not only would I be seeing the place where the shores are said to be the farthest northern edge of the country, I would also be witnessing the Diwata in her laid-back glory.

Perhaps the most vivid Pagudpud image of Diwata for me would be her, in her white swimsuit, drifting like a pearl, at times raised high and at times held low by the waves, which seemed to me loved her and held her gently.

White Wave

While Diwata’s next goal is to polish her butterfly stroke, I can’t even swim. I never found the urge to learn to swim in my youth, especially since the only bodies of water I ever got exposed to as a kid are family outings’ treacherous gigantic pools and Sampaloc’s seasonal and ever-dependable floods. Even at Caramoan last summer, the allure of the waters was not enough to convince me that I should finally learn how to swim. And even after the advice of people for me to take up swimming to strengthen the lungs, I still pretty much held up the idea in the air –

until I stood there at those northern shores, nailed dumbstruck on the fine pebbled beach because I could not brave the waves. I could die here, I thought, these waves don’t look forgiving, they could take me in for good.

Then a towering white one rose in front of me all of a sudden, and rolled towards me with a speed I could not outrun. It caught me, hitting me real hard on my side, pinning me down on the sand, and went on rushing over and past me. The wave did not claim me for the sea alright, but it brushed me aside, and forcefully. It would be easy to get into the old habit of equating what happened with plain rejection, but I guess that wave smacking me out of my wits had to do so not to reject me but to affirm what I earlier sensed of it: it was telling me, I am no joke, I am powerful, you have to have what it takes, in the meantime: shoo!

That wave made sure I got it, I guess. The great wave, after its passage, left a drone in my head. Water got in my right ear and I could not shake it off. One of the elderly women in our company laughed at seeing me tilting my head to the right and hitting it with my palm on the left side. After she had her fill of laughing, she taught me how to get rid of it, by tilting my head to the right, letting in a clean drop of the sea on my left ear, then tilting my head to the left to shake off the drop. It worked after a couple of attempts, the drone was gone. Besides, I have not been encountering any trouble listening to this or to this. Send-off music ‘til the next journey.

I wonder if I could have the songs played in a boombox while I take the swimming lessons. It would be nice to hear “going where the weather suits my clothes” echoing in some indoor swim school.

Red, pink, yellow stones

At Bangui bay, the waves were even fiercer. Because I was not in my non-swimmer’s swimwear during our stop to those windmill-lined shores, I all the more could not dare come nearer to the waters. I had to content myself with beholding the sea at a safe distance. At one point, Diwata stood next to me and said that the smaller waves looked like fingers crawling towards the beach. True, it seemed like a thousand white fingers were crawling towards the windmills and to us. The windmills were too high up on the beach, though, while me and Diwata ran away with little shrieks every time a wave rose and rolled nearer.

The sands of the beach there are black, with multi-colored rounded stones, sprawled like jewels. I remember pointing out a red one to Diwata, and picking up a pink one for her too. She asked why I was not taking one for myself. I said I thought about it, but as I was thinking about it while examining some stones, I stepped on a thorny twig which struck deep into my rubber slippers.

Good thing Diwata understands things like that right away, I needn’t explain. Perhaps had it been one of the good elderly women we were with who asked me, I would’ve answered with something like “Maybe because it’s not environment-friendly?”. One of them, by the way, the oldest in our company, took some huge gray ones. She carried them with just one hand, her left. She walked on with the stones raised next to her ear.

And while everyone else went to the windmills for photo-ops, I went on scouring the shores to find Diwata stones of more difficult colors, like yellow, and I did! I thought about picking up a green one for her too, then returned it back to the spread, thinking she might have already picked up one, there were a number of green ones around after all. I also tried looking for a blue one, but the waves began stretching farther towards the shore, threatening, until they reached parts where I had to leave the jeweled spread and retreat.

But it’s not for me, I yelled to the sea, it’s for Diwata, she’s just like you and all your children, so you shouldn’t mind, you know, I said. I don’t think the sea cared for what I had to say. His waves kept pushing forward. And even before I could make up my mind whether or not to continue looking for a blue one, I heard someone from our company yelled my name. The group had to be moving on.

The truth is I did not want to take anything because I wanted to return to the sea, and I wanted to be compelled by my desire to return. And I want my desire to remain raging, like those waves.

Before I turned my back to the water, swearing that I’ll catch him again in another shore, I stepped into the white foam of the last Pagudpud wave that I saw. It was warm and the warmth rose all the way up to my body – from the skin of the soles of my feet, to my legs, to my chest, to my face. The chill of the morning air all washed away.

Back in the van, in the chill of artificial, aircon air, I handed Diwata the yellow stone, saying sorry that there was not enough time to look for a blue one. She said it was okay, and held all the three stones in her palms. The thing is, all the stones turned grayish the moment they dried up.

Maybe you should just wet them again, I told Diwata, their true colors come out when they are wet.

Tama, lumalabas yung tunay pag basa, Diwata said. I will remember that for a long time.

So, I really have to go back, you see. To be true. I am coming.

.


in the island born of fire

November 30, 2009
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I ate tinolang isda -

learned what adto ta means, along with kopaw, pastilan, and ambot -

met three other Jennifers -

got “single traveling girl” discounts from kind-hearted boat owners -

rode a boat with her name on it (the kopaw boat owner was married to a Jennifer) -

and visited the White Island, twice, for the sunset and the sunrise -

Ah, yes, finally I was able to do that – along with drawing piko boxes on the sand with a chalk-shaped coral, and skipping within the lines, picking up my flat coral pato.

It was heartbreaking to leave. So I’ll just go back. I already promised my humble, plain cottage on the shore that I would.

Now off to… wait, somebody’s playing Skyline Pigeon on the radio. Am I supposed to contemplate about this too? I’m not even supposed to pour out everything here.

I could wait until the song is through -

there.

Hard November. Good November. Thank you.

 

 

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perfunctori

October 31, 2009
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I have committed, when I started this blog, that there would be at least one post every month.

During the past couple of months, I have been intending to blog about the following:

1. the NIN Manila concert last August

2. a review of Years of Refusal

3. a review of Abnormally Attracted to Sin

4. the Korean film festival at the Shangri-La

5. the Italian film festival at the Shangri-La

6. the John Hughes film festival at the Shangri-La, and

7. me dreaming three days ago of my father in a wheelchair, accompanying me to a review assignment of some hotel supposedly next to the Shangri-La.

Obviously, I haven’t been able to do any.

42-20714327

I was able to do a couple of cartwheels over at Michipooh’s place, though, when I first got to visit and see where she lives, even spending the night over. The great house had a lobby, which was around six times the size of my place. I had more than enough room for a little run, to build up speed for better springing. When I woke up, my legs felt a tad bit painfully stretched. I need more practice. I need to be visiting more lobbies.

I’d love to write an entry called The Tao Of Michipooh.

But first, more music reviews – which was what this blog was supposed to be about - my repository of music pieces until I get my work put out in the music mags.

I hope November would nag me more to listen and write. At least before the air is invaded by Christmas songs. God bless them Christmas songs!

Mrs. Mark Hawley has a version of The Little Drummer Boy, too. And she’s finally made a Christmas album. Must be on the look out for that. Must write about that!

But this is really what I’ve been waiting for -

- and the music of course -

- Mr. Jonze is right, right! Music cues importance. And you do know you’re in the zone when you just feel like a kid. Maybe not knowing whether to howl ahoooooooooo, or do cartwheels.

Despite all the debate, with one of the wild things being called Carol, the film could not go wrong.

One of mine shall be named Caroline.

 42-20075383

 

 

.


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The People Who Lined Up for Cine Europa 12

September 16, 2009
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included my mother – she who hardly has any patience for and dozes off at any movie shown on TV. It was September 11 – the festival’s opening night, and her birthday. Yes, she shares her birthday with a dead, brilliant dictator, and with the 9/11 attacks, but she’s pretty past her own tragic phases, God bless her.

My invitation so impressed her – Shang-ri La, a European film! Her daughter has indeed come a long way from arguing with bag inspectors at flood-plagued SM Manila Cinemas, those men of power who come short of tearing apart pages of her books whenever they’d dig their sticks into her terrorist backpack.

Eventually mother must have thought that she’s been ripped off. She had to stand up in line for a ticket for at least an hour, had to eat her birthday dinner in less than thirty minutes because her daughter (who neither paid for the dinner nor for the free movie) was hurrying her up, then stand in line again before entering the theatre for another half hour.

In front of her in the line are a young couple, perhaps in their twenties, who smooched all throughout the wait. Behind her was an elderly woman alone who seemed to have found a new best friend in the person of another twenty-something girl who came in her lonesome too – the elderly woman hardly gave the girl, who hardly opened her mouth, a moment of peace – the woman was relating to the girl her entire job history in weirdly accented English.

I didn’t feel like reflecting about my job history to the person who found me my ten-year-and-just-recently-ended career as a civil servant. But I was cold, terribly cold. So I asked my mother to hold me tight while we stood there in line. And I kissed her as many times as the smooching couple did before us, pouting our lips playfully for every kiss, grunting at every bear hug.

Then I told her she’d be reading subtitles, to which she emphatically said Ha?!

I pouted my lips at her yet again for another kiss.

 

 

.


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District 9 Glossary Of Terms

September 3, 2009
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mothership – an iron cloud that can hang low for twenty years

aliens – any type of species that looks malnourished

malnourished – what is ill-fed or unhealthy based on human standards, and can be a ground for isolation, segregation, and discrimination

slum – where malnourishment, not the malnourished, is nurtured

eviction – the act of transporting malnourishment from one place to another

weapon – any implement that could help carry out an eviction (e.g. mothership)

angel – a bride

home – some place where an angel can keep flowers

flower – what a malnourished creates to pass the time

 

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I hear

September 3, 2009
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A few days ago, I wrote somewhere in some corner of this cold, queer, and ghostly cyber realm that perhaps, if God could only step out of His busy schedule, He would pull me by my ear, and point me to a corner, and yell the words: “wait on Me!”

I thought about it when I was directed to Psalm 27:14 (KJV) – “Wait on the Lord: be of good courage and He shall strengthen thine heart: wait, I say, on the Lord.”

Then I realized that actually, He has always pointed me to a corner, and everytime He does, the ear pinch gets harder, and His yelling more furious.

Perhaps it is my appointed corner which I should embrace. In time, He’ll open His arms and ask me to join the banquet. I bet I have a seat there somewhere.

I hope He’d have lots of wine. I’ve been really thirsty.

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A Certain Saturday

August 28, 2009
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Tomorrow, August 29, 2009, a significant part of my future will be decided. I will face a panel of experts, the toughest readers in the country, who will ask me: why do you write? Why poetry? How did you begin to write? Why this project? For who? Of what significance will this project be in the literature of the land? What would this contribute?

 

I will be measured for my answers. Should the answers satisfy, I will be given the go to embark on the project. Then hopefully that project would someday comfort and delight readers the way I have been comforted and delighted by poetry over and over again.

 

I am quite scared, though. I feel like that robot kid in A.I., I would just want to keep muttering “keep me safe keep me safe” like he did.

 

My Lord, keep me safe. Psalm 23. Jeremiah 33:3. Jeremiah 29:11. I need all the strength I could muster.

 

Even in my worst phases of doubt, I have always been taken care of. What more if I could just raise it all up and surrender to whatever He has laid out for me? He has always laid out goodness for me. Goodness. Mercy. Love.

 

I have always loved poems. I have always been thankful of Sextons, and Dickinsons, and Parkers for their ability and courage to reach out with the strength and beauty of their works. And I will always want to have that feeling of bliss, of rapture, though usually just momentary, every time I write the last line of a newborn verse, and hold out the sheet, and read aloud the lines. I believe not even the most powerful forces could ever take that right away from me. I shall always have it.

 

Even still, please do mutter a little prayer for me. Every little bit would help. Thank you, stranger.


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