Only Lyrically

Month: January, 2011

“oh, here they come, the beautiful ones, the beautiful ones! la la la la la…”






and Ethan and Joel


for that one happy girl in the dark


And This Radiohead Feels Grace Falling Into Place


I have been working so hard lately that for the past few nights, I fall asleep in a snap when I only intend to lie down for a minute, to rest a bit before I do my chores. I have been ending up sleeping with my contact lenses and work clothes on.

I have been dreaming weird dreams too. Last night, I dreamt I was wading through a shallow pool in a sunlit room, looking for my contact lenses in the water. I saw some lenses and tried them on, but only one seemed to fit, the left. So as I went on through the dream, I had only my left eye seeing clearly.

But I do not want to tell you about weird dreams right now, reader. I want to tell you about a fact. A fact that just hit me yet again, yesterday, as I lay down on my bed, reluctant to get up out of uncured fatigue, despite the sleep.

I remembered my poetry teacher, The Baptist, all of a sudden. I have been wanting to visit him since November last year. I just might this February. It will be Valentine’s soon, anyway. Must bring something nice for The Baptist and his Rose.

That’s when the fact hit me. My teacher, through the life he is living, has proven to us all that a poet can live a happy life. With his life, he is showing that it is possible for a poet to live in comfort, and with love. My teacher came out of the slums, defying poverty. He won the heart of his best friend, another artist, and by this defied beliefs that two artists cannot live happily ever after because, as some would put it, something must be sacrificed. All I know is, while he has been living quietly in  love and graciously, he has always been giving us good work. Masterworks. Both tackling light and dark, without having himself suffer in the dark anymore, as he who has known real hardship and has risen from it should know better than play with one’s life by deliberately going back to the things that hurt, just for the heck of it. My teacher may have been the first person to show me how it is to be truly creative. His life is a life of good defiance. It is a life triumphant.

And all of a sudden, all of my doubts and fears were just washed away. Not that I was thinking I’ll have it exactly as he has now, though I’d love that, but a blanket of reassurance just braced me. If my teacher is victorious, I can be too.

Actually, to a degree, I already am. The mere fact that I am fully sustained by writing, and by kinds of writing that I love (for the earth, and through travel), is a triumph.

The only thing within my power that I have not accomplished yet is the 30 poems. And hopefully there’ll be more after them.

Considering everything that I have gone through – years of hopelessness in the bureaucracy, numerous rejections from men, problems about my health, the long and hard fight for freedom – I am still here, unbelievably alive. And not in my wildest dreams did I imagine that I’ll ever be where I am now, seeing the seas I have seen, meeting gracious people on the road, working with the kind and generous men and women I work with now.

And all the while, back in my twisted angsty youth, I thought I’d just slip away into oblivion. I was actually prepping up for the possibility that I would just collect all my verses once I feel that the end is near, and ask a nephew or niece to dispose them, as I fade away. I was all set to be my own version of Emily Dickinson.

My teacher once said in class, to address questions on obscurity in meaning, after a classmate jokingly pointed out the mystique in Dickinson’s obscurity, “nag-iisa lang si Emily Dickinson.” Tough words from a man toughened up by life. But ever gentle, ever kind. Besides, our class was a class of hardheads. We needed ‘tough’.

And between a Dickinson and a Bautista, I’d take the latter kind of life. Apologies for the preference, I just love my teacher. That man who was kind to me at a time when other men were either hurting me or running away from me. That good man who treated our class as if we were his own children, welcoming us in his home, sharing the love of his Rose to us. The man who, to this day, is teaching me, more than just through poems, but through his life, a good life.

Grace. Real. Here. It hit me warm against the chilly morning. I got up and set out working.


“you got a light you can feel it on your back!”

not a word misplaced

in Mr. Yorke and company’s

good little light of a song

that “sawed off shotgun”

that “place on a mission”

all that’s “lost between the notes”

all that running away all that looking back

all that having too much and coming back

“to focus again”

you’ve been it all

and “there is nothing to explain”

let that be your comfort


and the Globes nominate…

Natalie Portman, for Black Swan. Aronofsky. Made Requiem For A Dream, which I am still hunting, but have got a feel of through the soundtrack. God bless the shark.


Blue Valentine. Sundance favorite. Had trouble with ratings board due to some reportedly intense scene. Scored by Grizzly Bear. Damn straight to the hunter’s list.



But I am cheering for The Fighter. I don’t know. I did the same for Million Dollar Baby. Maybe because of my current surname.

The movie was clear, everyone was fighting for something. And that’s one thing I like about boxing movies. No pretensions. You sit there in the dark not having to figure any intricacy out. But, especially with the well-made ones, you go right through a beating just the same. The kind you do not figure, but feel.



11:03 in the desk clock. Gonna fly now. Good night.



“it’s just no good anymore since you went a-we-eiy, now I spend my time just making rhymes of yesterda-ey”

You know what the poem just told me?

“You can’t be with me if your sole reason is you got nothing better to do, or if you got nobody else, or nowhere else to run to. You’ve got to want to be with me.”